Reveur, Another Challenge to Keep Exploring A Raw Oriented Sound of Hardcore

           The main reason I create this blog is to write reviews about every single thing that happens in Surabaya underground scene. This so called “City of Heroes” attracts me way much better, not only to stay here permanently but it is more about to explore and find out what most people and friends that I know or I haven’t known have attempted to make a significant change especially for Surabaya underground scene. Discussing about underground scene, it is certainly hard if we put aside the bands.

          This following band that I would like to review called Reveur. Funny thing that happened before I wrote this review was, one of the members told me not to compare or equalize his band with Saosin or another typical Post Hardcore bands. I was like, “Dude, when I write a review, I absolutely will ignore any intervention which is pointed to change, edit, or convert the content, substance, and context of my writing, and you should know that. But I will politely ask a permission first before I publish my article just in case I identify some parts of my article may sound offensive or inappropriate based on my careful consideration!” After receiving some almost complete profile (fiuh!) I finally can write my review about this band.

          This band, Reveur, is the new project of my good friend, Putu Hendra Wijaya a.k.a Hendra a.k.a Putu, a bachelor of economy who has a deep passion to explore his musical talent and formerly sang for a metal band Vendetta, where Fraud's Kecenk used to play drums. I haven’t got any complete information except this band was formed in Surabaya on late 2013 by Eri, Wendi, Hendra and Ardo who were influenced by Loma Prieta, Suis La Lune, Charles Bronson, and other hc punk bands. Luckily, Hendra sent me this following link, https://soundcloud.com/nerverecs to help me writing this review.

           I was little bit upset because I only found one single track on their soundcloud account. But, I was so glad to find out that their sound was pretty impressive. This soon going to be an EP was started by the one and only track entitled, “Rise and Bloom”. The track was opened by beautiful riffs with “sad and lonely” sort of ambience which really reminded me of Billy Talent, but it suddenly changed when Hendra’s voice came out to scream “Push it!!!” (if I’m not mistaken, since Hendra didn’t send me the lyrics) accompanying the guitar riffs harmoniously, altogether with fast drums tempo and soft bass sound, until on 0:56, the tempo became slower and finally, the song ended up on 1:44. It was almost hard for me not to describe Reveur as another raw version of Loma Prieta but having Underoath's Spencer Chamberlain on the vocal section, considering Putu's screaming voice was almost similar.
          Overall, Reveur actually fulfilled most of my general expectations of what they sound like, and I was glad that Hendra told me that they would have their EP as soon as possible. But I am now so curious about when this band will record their next song, because honestly, it is almost difficult to identify the band's main musical preference with only one track. I hope that my cynical words can be understood as a positive curiosity to find out where exactly Reveur is going to be, otherwise, I can't avoid my impatient carelessness to point out them as another band who just wants to have a good time and say, "I've got my demo!".

            Honestly, I'm happy that these guys on Reveur are still excited to play this kind of hardcore sound, considering that (on my personal perspective) such sound is sometimes still not familiar for some people who claim that they listen to hardcore.Other thing that makes me happy is, Reveur plays that kind of raw oriented hardcore sound, if I can say that way. On my perspective, I can feel their soulfulness behind so many limitation they might have during the process of producing their music. And it is good to have this kind of band who still carries the hardcore spirit when most of other bands tend to seriously record their song with more advance and modern sound to be nicely listenable and enjoyable. But I must say, "Thumbs up, Hendra. Good job!".

SxBxT (Surabaya Bawah Tanah) Flea Market, Between Secondhand Merchandise and Its Development

                           

              Honestly, I started drafting this article less than two hours after I joined the meeting about the upcoming Surabaya Bawah Tanah Flea Market in our mutual friend’s house. But, before I come out with what Surabaya Bawah Tanah Flea Market is, let me tell you a short story about how I met these guys who worked so hard (even though they never admit it) and positively contributed for the progress of Surabaya underground scene.

           When I started my English study in 2009, I met this person named Ken Tunggul Adi Negoro who introduced me to what Surabaya underground scene really was and most people who dedicate most of their life on it. With this gentleman, I visited one gig to another, and I met many important people such as Reza who actively plays drums for the Surabaya’s Punk Hardcore band, The Sinners and runs his screenprinting business and also Yoyon, a guitar player of Surabaya Grunge band, Klepto Opera.

           A long story short, I hung out intensively with these guys up to 23^rd of August 2015 ago, when Yoyon, Reza, and other friends conducted Boneka Tanah: Surabaya Bawah Tanah 2, the annual underground event at Monkasel (Submarine Monument), Surabaya, which was postponed for more than 5 years. Therefore, this event also became a huge reunion for the underground musicians and also underground scene activists of Surabaya. At this annual gig, which had many outstanding performances by Surabaya’s talented underground bands and artists such as Bluekuthuq, Klepto Opera, Ska Banton, The Sinners, and many more, we also had this Surabaya Bawah Tanah Flea Market conducted during the gig.

          Flea market itself, is a type of bazaar that rents space to people who want to sell or trade their merchandise. Therefore, back in the days, flea market was very essential for those people who collected CDs, vinyl, and other merchandise of their favorite bands. But, according to Yoyon, as he wrote at Maknyus.com, the development of the flea market itself seems changing especially in big cities to become a secondhand merchandise market. Furthermore, people eventually forget its essential meaning and definition as a market of rare and worth collected merchandise.

          Departing from such phenomena, Surabayan “underground merchants” intended to create monthly event called SxBxT (Surabaya Bawah Tanah) Flea Market, bazaar from and for underground community of Surabaya. Various things and merchandise were available such as CDs, cassettes, clothes, and snacks.

          The first flea market was successfully conducted with many participants. They were, Garasi 337, Grungee Jumping, Good Salad, Es Krazz, WARISAN records and merchandise, Radioactive-Force Record label/local distribution, Dysania Submerch, Seafood Remaja Surabaya, Whatstore, Kandang Xapi record label/store/distribution, Salahcetak Printmaking and Mata Rantai Collective.

            According to Yoyon as he wrote further at Maknyus.com, there was one thing which distinguished SxBxT (Surabaya Bawah Tanah) Flea Market typically from common market or bazaar. “This flea market is more like collective work and cooperation between participants within. Every single thing and detail were carefully discussed before being executed to become a complete program, including its financial resources, venue, target, market segmentation, and everything else. Besides as a collective work, SxBxT (Surabaya Bawah Tanah) Flea Market has a function way more than just a conventional market that depends on buying-selling or trading activity. We don’t want it to be limited as just a conventional bazaar.”

            I admit that it is a smart idea to gather all of people who actively support the development of the underground scene not only by conducting gigs but also providing some mutual opportunity for them who run their small business. At the same time, the opportunity itself was contextually made as a communication “device” for them to share their positive ideas, and contribution for the progress of the underground scene.

           “This flea market provides a space for a new form of market. It has a new and wider definition. It becomes a melting point of various needs, various communities, whether they are directly connected or they are not. Besides that, SxBxT (Surabaya Bawah Tanah) Flea Market is a facility for the creative economy development. Young people with their activities and creative ideas discover a suitable place with an appropriate market segmentation. They create various brands based on their ideas, selling merchandise, cassette, rare records, CDs and vinyl. It is not easy to find those stuffs except in certain places or events. Food and beverage brands were served by them who were determined, especially in underground scene of Surabaya. This flea market also widely supports positive activity by having brand of zine and alternative reading community who provides sidestream reading that is way much more different compare to mainstream information by mainstream media that we absorb daily from various resources. Finally, functions of the market itself can be as a place for us to actively communicate, share knowledge, and it is positively educative,” said Yoyon.

 

             Personally, I’ve learned many things after joining SxBxT (Surabaya Bawah Tanah) Flea Market on 23^rd of August 2015. First, doing small business was still tough.Why? Because I had to make sure that I prepared everything that I needed to run my small business. Since me and my fiance opened Batagor and seafood meatball booth, we had to carry and set all of the equipment such as stove, water gallon, ingredients, frying pan, and everything else by ourselves which was so exhausting. I was almost being so skeptical since we waited for more than an hour from 12.00 pm until we had our first customer, even though it ran pretty well eventually. Second, it was also not an easy task to organize such a big event like SxBxT (Surabaya Bawah Tanah) Flea Market, since the officials had to be sure that the space for the flea market itself was proportional and accessible so the customers could enjoy the gigs and go shopping at the same time.

            Considering that SxBxT (Surabaya Bawah Tanah) Flea Market is good not only as a place to shop and reunite old friends and attract new people in underground scene, but also to stimulate new generation of Surabaya underground scene to get involved, Yoyon, Reza and other friends will have the upcoming SxBxT (Surabaya Bawah Tanah) Flea Market. However, for the upcoming SxBxT (Surabaya Bawah Tanah) Flea Market, they haven’t decided yet regarding where and when it will be conducted, since each of the participants is busy with their own agenda and schedule. According to what they had discussed yesterday, the upcoming SxBxT (Surabaya Bawah Tanah) Flea Market will be certainly conducted on the second week December 2015 if all goes well. I personally believe that this activity will stimulate other people in the underground scene to create a similar activity, because the more we do something for our scene, the more it will develop.

Fraud, Killing The Wrong Roots by Their Movement Before Mouthment

          When you hear the word Fraud, your mind will certainly take you to define that word as the crime of using dishonest methods to take something valuable from another person. But you may be surprised to find out that it is a name of a hardcore band with a massive fan base from Surabaya, the capital city of East Java, Indonesia.

         Fraud was formed back in 2010 by Kecenk on guitar, Soullamb on bass guitar, Tompel on vocal, and Pras on drums. They were influenced mostly by wellknown hardcore bands like Terror, Hatebreed, Agnostic Front, and many more. Most of the members formerly played for other hardcore and metal bands. Kecenk played on drums for Vendetta, Deadquarter, and XDilemaX; Soullamb was on bass guitar for Exterminalos; while Pras used to play for the reggae ska band Heavy Monster.

         Later, Tompel and Pras decided to change their outfit, and they were replaced by Rully (vocal) and Edel (drums). With Rully also eventually resigned, Fraud’s line-up presently consists of Keceng, Soullamb, Edel, and Bayu. Aside of singing with Fraud, Bayu also sings for a stoner rock band, Buas.

        After releasing 1000 copies of their first album “No Fans Just Friends” in 2014, they are ready to provoke our ears once more with their latest album: “Movement Before Mouthment”. According to what they have exposed to ronascent.biz, the first hit from that album, titled “Unscared” has been released as a warming up teaser. “We purposely released Unscared only on Youtube. Why? Since we had prepared another gimmick to release in audio version,” said Kecenk further to ronascent.biz. Now, fans are watching the clock as the band reveals that the release of “Movement Before Mouthment” is scheduled, if all goes well, at the end of November.

        The album “Movement Before Mouthment” is packing 10 explosive tracks which will put you into headbanging all day long. The songs are 1. Unscared, 2. Giant Slayer, 3. Movement Before Mouthment, 4. Provokasi, 5. Eastern Jaws, 6. Bleed Out Despair, 7. Betrayal, 8. Hold Nothing, 9. Wrong Roots, and 10. Keep My Promise.
 
          I remember sitting down with Kecenk, enjoying a cigarette in his hand, a few years back in our mutual friend’s house, when he came out saying, “We waste our time preaching and debating religions and divine stuffs, while we are still blindly judging other people."
          Personally, I believe that their latest album is a kind of cynical statement for those who offensively speak too often to offend other people without attempting some effective and significant work, contextually in Surabaya’s Punk and Hardcore scene. “Real movement gives a far much better result than a mouthment,” said Kecenk again to ronascent.biz.Survival is not going to be an easy task for Fraud during the hard times of musical backwardness in Indonesia, where most audience would prefer to download songs freely from the internet rather than buying original CDs. But, as long as their faith remains unstoppable, I'm pretty sure they will stay “Killing The Wrong Roots.”